I’m finally getting around to answering mail. It’s such an easy way to find something to talk about, it almost feels like cheating.
Podcasting neurosis update: I’m almost OK with the thought of nearly 1,000 people from around the world listening to each episode. (15,000+ MP3s served this month.) I can brainfart while recording without becoming overwhelmingly self-conscious. But to be honest, I still think I suck. I should be over that after another 10 or 20 more episodes. Old habits die hard, or something like that.
The song is from Daiki and Little Wing. Check out his photo. He looks like a pirate. Arrrrrh.
I can’t very well call it the “suicide podcast.”
When I see the list on my blog of where listeners are in the world, I feel like I should be talking about more important things. I also feel a bit like Chauncey Gardener from the movie “Being There.”
Morton Hull: Do you realize that more people will be watching you tonight, than all those who have seen theater plays in the last forty years?
Chance the Gardener: Why?
I’m sitting here uploading this thing, and for the life of me I can’t remember what 90% of what I talked about. So it’s a good thing I recorded it. I’m definitely not running on all six cylinders today.
Check out the DV_Podcast for a peek at life in Japan through the eyes of some middle-aged guy with a really nice camera. It’s a lot like watching a stranger’s home movies.
You know, if I could just stay on topic until I finish expressing a complete thought, the 10-15 minute walk from the station to the office would be plenty of time to cover everything I want so say. Once I tackle the sniffling problem, I’ll work on it.
As a follow-up to last night’s podcast, please send Tokura-san from Yamaha Music Communications (and CC me) feedback, advice, a CD order, or invitation to participate in our new form of media here, if you feel so inclined. By convincing record labels and band promoters to use podcasting for exposure, everyone benefits. Except of course, any curmudgeonly label execs who equate music downloading only with pirating, not promotion. In which case, I’ll stick to helping independent musicians tap into an international audience and market. Sooner or later, most of the music industry will come around. Fact is, as consumers move away from TV and radio and more towards online social networking, they won’t have much choice.
Another cringe-as-I-upload kind of episode.
Links go right to the RSS feeds to save ya’ll some trouble. If you know of any good music podcasts from Japan that actually play music, let me know and I’ll add them to the list.
- Monochrome Cafe – Professional, very, very mellow. Do not listen to while operating heavy machinery.
- Pod the Music – Professional, J-Pop. If you like J-Pop, this one’s probably your best bet.
- Progressive Music Cast – Amateur, infrequent, not sure if they actually get around to playing any music, but it’s highly ranked.
- abcdefg*record – Podcasts from an independent label. More talk than music. The music is definitely not mainstream. Might appeal more to the pink haired, body-pierced, tattooed crowd.
- BEATCLUB – 1 minute samples. Very popular, maybe I’ll like it more if I give it a chance.
- NETZ_MUSIC – Commercially sponsored, mostly talk, songs not played all the way through. Perhaps interesting if you’re fluent and curious to hear famous musicians just be themselves.
- Pod Street Music – Not exclusively Japanese music, but podsafe.
- TEPCO & Yoshimoto EntamecasTY – Commercially sponsored, either mostly or exclusively talk.
- Oricon Single Top 40 – Commercial, professional, no music, just listing off the chart-topping song titles.
- Radio Sakamoto – Ryuichi Sakamoto’s podcast for J-WAVE FM. He’s articulate and easy to understand in comparison to other podcasters, but unfortunately no music, which seems to be typical for podcasts produced by radio stations. They strip the music from the their radio shows and recycle them as podcasts.
In summary, I haven’t been able to find a music show I like by searching the podcast rankings, but keep in mind that J-Pop really isn’t my thing. I guess it’s like someone who lives in Nashville but would rather have his ears chewed off by rabid weasels than listen to country music. If you can read Japanese, check out po-di-um.net’s blog or Staff Picks for other recommended podcasts. They review all kinds of podcasts, not just J-Pop ones.
Update: Listener recommended J-Pop podcasts:
- Jpop Blast – Definitely not podsafe. I don’t owe the price-gouging music industry here any favors for putting out a never ending barrage of homogenized bubble gum pop songs sung off key by here-today-pumping-gas-tomorrow cookie-cutter teenie bopper dance troops, so tune into to their show if that’s your kind of thang. (…Did that come out of me? Golly gee, who says you need a vagina to turn into a PMS monster?)
- Muzie – Not a podcast but rather a community site for indy & independent artists in Japan. The should have a podcast, really, because on sites like this, sifting through the sludge for gold nuggets is an arduous process.
Why yes, in fact I did spend hours thinking up that title, thank you very much. This one ran just a little too long for my tastes. If others think so too, I’ll cut out some of the dead air next time.
It amazes me how not in tune I am with what works or doesn’t work in my own podcasts. It almost seems as if the more uncomfortable I am with something–the content, the delivery, or the editing–the more it resonates with listeners.